Ircam-Centre Pompidou

Recherche

  • Recherche simple
  • Recherche avancée

    Panier électronique

  • Afficher le contenu du panier
  • Consulter les notices sélectionnées
  • Vider le panier
    Votre panier contient 8 notices

    Connexion à la base

  • Identification
    (Identifiez-vous pour accéder aux fonctions de mise à jour. Utilisez votre login-password de courrier électronique)

    Entrepôt OAI-PMH

  • Soumettre une requête

    Consulter la notice détailléeConsulter la notice détaillée
    Version complète en ligneVersion complète en ligne
    Version complète en ligne accessible uniquement depuis l'IrcamVersion complète en ligne accessible uniquement depuis l'Ircam
    Ajouter la notice au panierAjouter la notice au panier
    Retirer la notice du panierRetirer la notice du panier

  • English version
    (full translation not yet available)
  • Liste complète des articles

    • Consultation des notices

    Vue détaillée Vue Refer Vue Labintel Vue BibTeX  

    %0 Conference Proceedings
    %A Assayag, Gérard
    %A Bloch, Georges
    %A Chemillier, Marc
    %A Cont, Arshia
    %A Dubnov, Shlomo
    %T Omax Brothers : a Dynamic Topology of Agents for Improvization Learning
    %D 2006
    %B Workshop on Audio and Music Computing for Multimedia, ACM Multimedia 2006
    %C Santa Barbara
    %F Assayag06d
    %K Improvization
    %K machine learning
    %K variable memory markov systems
    %K concurrent agents
    %K sequence modeling
    %K style modeling
    %K statistical learning
    %K computer music
    %K man machine interaction
    %X We describe a multi-agent architecture for an improvisation oriented musician-machine interaction system that learns in real time from human performers. The improvisation kernel is based on sequence modeling and statistical learning. The working system involves a hybrid architecture using two popular composition/perfomance environments, Max and OpenMusic, that are put to work and communicate together, each one handling the process at a different time/memory scale. The system is capable of processing real-time audio/video as well as Midi.the OpenMusic one, which has a deeper analysis/prediction span over the past and the future. These two conceptions of time interact and synchronize over communication channels through which musical data as well as control signals circulate in both direction. A decisive advantage we have found in this hybrid environment experience is its double folded extendability. In the OM domain, it is easy, even while the system is running, to change the body of a lisp function and test incremental changes.
    %1 6
    %2 2
    %U http://articles.ircam.fr/textes/Assayag06d/
    © Ircam - Centre Pompidou 2005.