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%0 Conference Proceedings
%A Tremblay, Pierre Alexandre
%A Schwarz, Diemo
%T Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface
%D 2010
%B New Interfaces for Musical Expression (NIME)
%C Sydney
%P 447-450
%F Tremblay10a
%K audio mosaicing
%K corpus-based concatenative synthesis
%K haptic interface
%K laptop improvisation
%K multi-dimensional mapping
%K CataRT
%X In this paper, the authors describe how they use an electric bass as a subtle, expressive and intuitive interface to browse the rich sample bank available to most laptop owners. This is achieved by audio mosaicing of the live bass performance audio, through corpus-based concatenative synthesis (CBCS) techniques, allowing a mapping of the multi-dimensional expressivity of the performance onto foreign audio material, thus recycling the virtuosity acquired on the electric instrument with a trivial learning curve. This design hypothesis is contextualised and assessed within the Sandbox#n series of bass+laptop meta- instruments, and the authors describe technical means of the implementation through the use of the open-source CataRT CBCS system adapted for live mosaicing. They also discuss their encouraging early results and provide a list of further explorations to be made with that rich new interface.
%1 6
%2 3
%U http://articles.ircam.fr/textes/Tremblay10a/