Recherche

Recherche simple

Recherche avancée

Panier électronique

Votre panier ne contient aucune notice

Connexion à la base

Identification

(Identifiez-vous pour accéder aux fonctions de mise à jour. Utilisez votre login-password de courrier électronique)

Entrepôt OAI-PMH

Soumettre une requête

	Consulter la notice détaillée
	Version complète en ligne
	Version complète en ligne accessible uniquement depuis l'Ircam
	Ajouter la notice au panier
	Retirer la notice du panier

English version

(full translation not yet available)

Liste complète des articles

Consultation des notices

Vue détaillée

Vue Refer

Vue Labintel

Vue BibTeX

%0 Conference Proceedings
%A Hug, Daniel
%A Misdariis, Nicolas
%T Towards a Conceptual Framework to Integrate Designerly and Scientific Sound Design Methods
%D 2011
%B Audiomostly
%C Coimbra
%F Hug11a
%K Sonic Interaction Design
%K Sound Design
%K Interactive Commodities
%X Sound design for interactive products is rapidly evolving to become a relevant topic in industry. Scientific research from the domains of Auditory Display (AD) and Sonic Interaction Design (SID) can play a central role in this development, but in order to make its way to market oriented applications, several issues still need to be addressed. Building on the sound design process employed at the Sound Perception and Design (SPD) group at IRCAM, and the information gathered from interviews with professional sound designers, this paper focuses on revealing typical issues encountered in the design process of both science and design oriented communities, in particular the development of a valid and revisable, yet innovative, design hypothesis. A second emphasis lies on improving the communication between sound and interaction designers. In order to address these challenges, a conceptual framework, which has been developed using both scientific and designerly methods, was presented and evaluated with expert reviews.
%1 6
%2 3
%U http://articles.ircam.fr/textes/Hug11a/