Ircam-Centre Pompidou

Recherche

  • Recherche simple
  • Recherche avancée

    Panier électronique

    Votre panier ne contient aucune notice

    Connexion à la base

  • Identification
    (Identifiez-vous pour accéder aux fonctions de mise à jour. Utilisez votre login-password de courrier électronique)

    Entrepôt OAI-PMH

  • Soumettre une requête

    Consulter la notice détailléeConsulter la notice détaillée
    Version complète en ligneVersion complète en ligne
    Version complète en ligne accessible uniquement depuis l'IrcamVersion complète en ligne accessible uniquement depuis l'Ircam
    Ajouter la notice au panierAjouter la notice au panier
    Retirer la notice du panierRetirer la notice du panier

  • English version
    (full translation not yet available)
  • Liste complète des articles

    • Consultation des notices

    Vue détaillée Vue Refer Vue Labintel Vue BibTeX  

    %0 Report
    %A Barrett, Natasha
    %T The Perception, Evaluation and Creative Application of High Order Ambisonics in Contemporary Music Practice
    %D 2012
    %C Paris
    %I Ircam
    %F Barrett12a
    %K Ambisonics
    %K Musical Research Residency
    %K HOA
    %X The aims of this research residency were to test and evaluate the practical, perceptual and compositional use of higher order ambisonics. The work explored three main technical areas: very high order synthesised ambisonics sound-fields in 2D up to 12th order and 3D up to 9th order, near-field compensated higher order ambisonics and higher-order recorded sound-fields using the EigenMike. The following musical areas were investigated: distance information, enhanced spatial precision, detailed recorded sound-fields to capture accurate real-world spatial relationships and the control of sound points, motions and masses in relation to both timbre and ‘extra-musical’ meaning. The work was carried out in IRCAM’s Studio-1 installed with a 24- loudspeaker hemisphere, and in the Espace de Projection, installed with a 75-loudspeaker hemisphere. Ambsionics synthesis was carried out using existing and specially implemented methods in IRCAM’s Spatialisateur. The residency period was for three months, carried out part-time over seven months. A concert work called Hidden Values was also composed. The residency was funded by IRCAM, Oslo Cultural Grant for International collaboration and the Norwegian Cultural Council. Hidden Values was composed with support from the Norwegian Composers’ Fund.
    %1 9
    %2 1
    %U http://articles.ircam.fr/textes/Barrett12a/
    © Ircam - Centre Pompidou 2005.