Consultation des notices

We deal with the preservation of interactive realtime music combining human musicians and computers, which has been created at Ircam for more than 30 years. In that field, no leading pa-radigm has emerged, either in terms of scores nor in terms of instruments. Facing technological obsolescence, can this repertoire be preserved? Will an organology of realtime processes emerge? The only feasible approaches are methodological ones based on structured documenta-tion in the respect of standards. The purpose is therefore to extract knowledge during the crea-tion of the work, or for the occasion of its performance or reperformance.